An artist and a coach, she thus brings together two figures of the musical. Among the most famous Quebec women in France, she draws her singularity from this dual status, and from a reign in a world where she knows everyone.
Jasmine Roy, an artist and vocal coach, has become one of the major figures of musical theater. A Quebecker, she is undoubtedly the second most famous in France. She also sings.
This standing is not limited to the stage. A sought-after vocal coach, she is described as a queen in the world of the musical, a milieu where she knows everyone.
She is not reduced to a Quebec singer. She occupies the center of musical theater, both as an artist and as a coach, in a world she frequents from the inside.
The formula distinguishes acting, sheltered by a character, from singing, which leaves less distance. For a vocal coach, the work lies in that gap: a voice delivered without the shelter of a role.
Jasmine Roy also knows this laying bare as a performer. She does not merely stand beside the singers she guides: she sings, too, on the same side of the stage.